Tuesday, 9 September 2025

How thriller stories sell cities: the secret of secrets about the mystery tourism

The Secrets of the Hundred Spires


What happens to a city (such as, say, Prague - "the City of a Hundred Spires") when a global page-turner plants its plot there? What does a bestselling thriller do to hotel bookings, walking tours, souvenir stands? How does it affect the way first-timers choose their very first selfie spot?

Dan Brown’s new novel, "The Secret of Secrets" which was released worldwide today drops readers into the magnificent and mystic city of Prague (the word "Prague" means a "threshold", a door to the magic world): it takes them onto Charles Bridge at dawn and sends them racing through Klementinum (National Library of the Czech Republic) stacks, the Jewish Quarter's alleys, up to the Prague Castle’s windy courtyards, and to the Soviet-era bunkers viewpoints in the less-known Nusle district. Golems, codes, conspiracies, riddles, and a fresh wave of curiosity that marketers and city tourism promoters can shape into real visits, real money spending, and real cultural engagement.

“Cast the iron while it is hot”


Tourist agencies, Prague Tourism, and city promoters moved fast: on the day of the novel's release day-one guided walks were offered, a launch pop-up at Old Town Hall with signed copies for early birds was prepared, and a marquee author event at Lucerna is expected in mid-September.
Dan Brown is a matador of mystery thriller genre who has been in business for a quarter of a century now. "The Secret of Secrets" is his sixth novel featuring Robert Langdon, a series that has turned into a global franchise comparable to Harry Potter. Even though some critics might call Brown's new book “a weapons-grade nonsense” which is often “ridiculous and infectious”, this does not matter for tourism business. Dan Brown's magic still works: short chapters, cliffhangers, famous backdrops, esoterica - all of that optimized for place attachment (and product placement which, as some critics point out, is becoming more ubiquitous in recent Brown's novels)
Moreover, Netflix has announced that it is developing a new television series based on "The Secret of Secrets". This means that after the first enthusiasm about the book wears off, the upcoming series is going to fuel it once again attracting even more visitors to Prague. 

Mystery and thriller literary tourism


The potential of fright (and dark) mystery and thriller literary tourism is truly enormous. Below are some examples of mystery and thriller literary works set in European destinations:

Year

Literary title

Author

Set in

1897

“Dracula”

Bram Stoker

Bran, London

1892

“Adventures of Sherlock Holmes”

Arthur Conan Doyle

London

1937

“Master and Margarita”

Mikhail Bulgakov

Moscow

1920-1973

“Miss Marple/Hercule Poirot novels”

Agatha Christie

various UK locations

1996

“Neverwhere”

Neil Gaiman

London

1998

“Digital Fortress”

Dan Brown

Seville

1999

“Hannibal”

Thomas Harris

Florence

1997-2007

“Harry Potter”

Joanne Rolling

London

1997 -

“Harry Hole novels”

Jo Nesbø

Oslo, Bergen, various locations

2000

“Angels and Demons”

Dan Brown

Rome

2003

“Da Vinci Code”

Dan Brown

Paris, London

2005-2007

“Millennium Trilogy”

Stieg Larsson

Stockholm

2007-2021

“Department Q series”

Jussi Adler-Olsen

Copenhagen, Denmark

2010

“Postcard Killers”

Lisa Marklund

Stockholm

2013

“Inferno”

Dan Brown

Florence, Venice, Istanbul

2017

“Origin”

Dan Brown

Bilbao, Barcelona

2008-2022

“Detective Joona Linna series”

Lars Kepler

Stockholm, Sweden

2020

“The Thursday Murder Club”

Richard Osman

Kent, Berkshire

2025

“The Secret of Secrets”

Dan Brown

Prague



And of course all these literary works attract visitors. The first Brown's global success "Da Vinci Code" (2003) featuring Louvre and Paris saw tourism spikes of 5–10% in the first 2 years, Harry Potter Saga set in London and Scotland sustained >10% boosts annually for over a decade. Hence, for a popular destination such as Prague, a conservative Da Vinci Code-like boost (5%) is realistic with an optimistic case (10%) assuming strong Netflix (or even film) adaptation.

The moment is now 


Our calculations show that the new Dan Brown's book set in Prague could easily add $240 million per year to Prague’s tourism economy, with upside of nearly half a billion USD per year if televisions and film adaptations further enhance interest. Over a 3-year horizon (2025-2027), the whole impact could reach $1.4 billion.
There is no doubt that Dan Brown trades in clichés. Prague is more than that and because it is, there are many opportunities for tourism promotion and travel business. The mass-market hook associated with "The Secret of Secrets" can be used to invite visitors and local residents in Prague for a deeper and more immersive experience: to Jewish heritage beyond the Golem, to Klementinum Library's exhibitions beyond the cliffhangers, to views from Petřín Hill that are lovelier without the ghosts, or to the lovely cobbled ancient streets of Prague without any dark vibe present.

Sources:


  • Rausser, G., Strielkowski, W., & Korneeva, E. (2021). Sustainable tourism in the digital age: Institutional and economic implications. Terra Economicus, 19(4), 141-159. https://doi.org/10.18522/2073-6606-2021-19-4-141-159 
  • Strielkowski, W. (2017). Promoting tourism destination through film-induced tourism: The case of Japan. Market/Tržište, 29(2), 193-203. https://doi.org/10.22598/mt/2017.29.2.193
  • Strielkowski, W. (2017). Economic effect of film tourism in Australia and New Zealand. Available at: https://www.researchgate.net/publication/376398378_Economic_effect_of_film_tourism_in_Australia_and_New_Zealand, http://dx.doi.org/10.13140/RG.2.2.12689.81768 
  • Mitsche, N., & Strielkowski, W. (2016). Tourism e-services and Jewish heritage: a case study of Prague. European Journal of Tourism, Hospitality and Recreation, 7(3), 203-211. https://doi.org/10.1515/ejthr-2016-0022
  • Strielkowski, W. (2016). Innovations in tourism marketing: Operation Anthropoid in Prague. Marketing and Management of Innovations, (4), 106-112.
  • Strielkowski, W., & Kollmannová, D. K. (2014). Mystery and thriller tourism in European cultural destinations. Tourismos, 9(1), 293-306.
  • Strielkowski, W. (2013). Mystery and thriller tourism: Novel solutions for European cities. Tourism: An International Interdisciplinary Journal, 61(3), 277-287. https://hrcak.srce.hr/110910

Sunday, 29 March 2020

Was the COVID-19 coronavirus engineered?

People just love the good gossip and conspiracy theories. One study published in Science journal by a team of MIT scientists who analyzed a database of every tweet posted from 2006 to 2017 demonstrated that fake news moved through Twitter further, faster, deeper, and more broadly than the truth. And, after all, "nothing spreads like fear" (borrowing a promotional slogan from the 2011 thriller "Contagion"). Infectious diseases have always been here with us and will always be, they are just negative externalities of us being humans.

One popular coronavirus conspiracy theory that emerged in China last week was that U.S. military athletes participating in the Military World Games in Wuhan during October 18-27, 2019 had brought the virus into China. Was the COVID-19 coronavirus really engineered in a lab? Where do all these rumors come from?

Five years ago, in November 2015, a letter was published in Nature Medicine describing an experiment that created a hybrid version of a Chinese horseshoe bat coronavirus (a virus that is closely related to the Severe Acute Respiratory Syndrome (SARS)). The experiment was jointly conducted by a team of scientists from the University of North Carolina at Chapel Hill in the United States and the Wuhan Institute of Virology, Chinese Academy of Sciences in China. American and Chinese scientists created a chimaeric virus (an engineered virus made up from the backbone of SARS and the added protein). The experiment confirmed the hypothesis of the possibility of direct human infection with this experimental horseshoe bat coronaviruses.

The new virus could infect the epithelium of the human respiratory tract, cancer cells of the lungs and uterus, as well as the epithelium of the kidney of the African green monkey. In experimental mice, the virus caused pneumonia, with the loss of up to 10% of body weight also observed in many cases. Fatal outcomes were observed rarely and only in old mice (12 months and older).

Shortly after the paper in Nature Medicine appeared, the Nature journal published a story by Declan Butler entitled “Engineered bat virus stirs debate over risky research” who warned against engineering lab variants of viruses with possible pandemic potential stating the risks of such experiments are too high.

In March 2020, the editors’ note appeared in Nature stating: “We are aware that this story is being used as the basis for unverified theories that the novel coronavirus causing COVID-19 was engineered. There is no evidence that this is true; scientists believe that an animal is the most likely source of the coronavirus”.

Some virologists claim that the virus is very specific and weird, so it might be possible it leaked from a lab as a result of a failed bio weapon experiment (even some suspicious similarities with HIV are highlighted). Other scientists disagree with that entirely. Yet, some doubts will always remain. After all, Wuhan Center for Disease Control and Prevention is located just 300 meters away from the Hunan Seafood Market which was initially thought to be the source of the COVID-19 original outbreak. People with vivid imagination are already on high alert!

Do you think it is OK to play God and experiment with deadly viruses that have the potential to wipe out millions of people worldwide? 

Monday, 29 October 2018

Burning Man: a Silicon Valley playground

Burning Man is perhaps the most intriguing and world-famous art and performance festival that takes place annually around Labor Day and lasts for one week in Nevada’s Black Rock Desert in the United States with seemingly no structure and order.

A bonfire ritual for a small group of friends first held on San Francisco beach in 1986 has evolved into one of the most popular art festivals in the world. Since the festival moved to the Nevada desert in 1996, thousands of people come with cars, camper vans, buses and RVs to build the Black Rock city, a town that appears as an official settlement on the Nevada state records and officially exists for about 10 days each year. Held annually, the festival attracts over 60,000 participants each year and yields over $8 million in tickets and contributions.
Many people passionately and lovingly call Burning Man “a magic circus in the desert” for its remarkable spirit and atmosphere. However, it needs to be mentioned that Burning Man is also a luxurious and expensive festival that is mainly targeted at the upper social strata of the society (“a Silicon Valley playground”).

I conducted a unique research based on the data from over 500 surveys collected over the years during several Burning Man events between 2012 and 2018 using random, semi-random, and snowball sampling. 
My main findings demonstrate that Burning Man is not just some hippie get-together with lots of booze and drugs. Quite on the contrary, it is a lucrative and exclusive event that is attended by bright, wealthy and well-educated people, both from the United States and abroad. According to my data, a typical Burner is a 32-old childless male with a college degree and an average annual income above $100,000 who attended Burning Man at least two times before and who spends between $5,000 and $6,000 on tickets, fares, gear, and supplies.

Thence, one can see that contrary to the public opinion and numerous clichés, Burning Man festival is no longer a badly-organized event but rather a place for the representative of the modern elites meet and entertain each other.

Tuesday, 16 February 2016

Intelligent autonomic electricity networks of the future

We live in a world that is focused on consuming energy. One can say that it is very much dependent on energy. We simply cannot imagine our everyday lives without a comfort of having electricity at our homes, functioning street lamps lighting up our streets, an unlimited supply of gasoline to fill up the tanks of our cars, or the smooth flow of natural gas in our pipes to heat up our homes in winter.

It seems that the best example of energy that is always there, always on demand, is electricity. Growing up in any European country in the 1980s and 1990s would leave one firmly believing that electricity was ubiquitous, always there whenever one wished and hardly ever out. Of course, there were blackouts but they were relatively few and there was always hot water in the pipes and the heating was working in winter and the lights, TV and radio were always working.
It is hard to imagine surviving several days without electricity. Sure, one can imagine a day or two of hiking and sleeping in a tent by the campfire. But make it 3-4 days or even a week? All of a sudden you will realize that your phone discharged and stopped working, your flashlight ran out of batteries, you cannot call or e-mail anyone, you cannot check your friends’ status on Facebook. Life becomes hard and unbearable. Of course, some people find it adventurous and romantic to go into the wild and sit by the campfires but many of these endeavors end up badly unless you drag the power generators, solar panels and other things with you. Even the participants of the Burning Man festival (who call themselves "Burners") that takes place in Nevada’s every August and includes building an entire self-sustainable and self-supporting settlement in the lifeless desert bring with them enormous amounts of equipment, supplies and fuel to light up the desert in one-week long magic carnival and to create all sorts of comfort for themselves – including phone charging stations, live music podia, discotheques, saunas, movie theaters, and much more.
 
Overall, humankind grows too comfortable taken the electricity supply of energy as granted. But of all this can change one day and the scenarios might vary. For instance, the NBC Revolution TV series (2012-2014) shows the world in 2027, about 15 years after a secret government weapon project that used nanotechnology as a means of draining electricity from all power devices went awry. The opening line for the series goes like this: 

“We lived in an electric world. We relied on it for everything. And then the power went out. Everything stopped working. We weren't prepared. Fear and confusion led to panic. The lucky ones made it out of the cities. The government collapsed. Militias took over, controlling the food supply and stockpiling weapons. We still don't know why the power went out. But we're hopeful someone will come and light the way”.

Electricity is delivered over the electrical grids. The grids are interconnected networks that transport electricity from suppliers to consumers carrying power from distant sources to demand centers and distribution lines that connect individual customers. The term “grid” is typically used for describing an electricity system supporting four operations (electricity generation, electricity transmission, electricity distribution, and electricity control). The traditional grids were used to carry power from a few central generators to a large number of customers. However, with the growing complexity of the today’s globalized world, the traditional grids had to evolve into the so-called “smart grids”. A smart grid employs two-way flows of electricity and information to create an automated energy delivery network. The smart grids instantly know where and to whom the electricity should be delivered and react to the changes in demand and supply.

Nowadays, the pressure on the electricity grids is intensifying. The future electricity networks will likely to face a number of challenges including the new patterns of consumption, planning under an increasing uncertainty and overall growing complexity due to the large number of small independent devices connected to the network.
Take smartphones for example: the first iPhone came in 2007 and today, nine years later, about 50% of the adult population of our planet uses a smartphone (it is estimated that this number will reach 80% by 2020). Today’s average smartphone has more computing power than the NASA supercomputer that was used to send the space mission to the Moon in 1969. 

The smartphones (and other similar devices like tablets or phablets) are becoming an important part of the global interconnected information system. One day, we might start using their computing power in a series of networks working on delegated tasks. However, today's smartphones use up their energy very quickly and need to be charged too often. One of my colleagues works in Sierra Leone and he told me an interesting story: you can buy a relatively cheap smartphone in Sierra Leone and connect yourself to the Internet via the mobile operator to be online, chat and check your e-mails. The only problem is to charge your smartphone – most of the households do not have running electricity, so they charge their devices at work. At any workplace around Freetown any available plug becomes entangled into a garland of cables and wires as everyone is trying to charge up her or his smartphone or a tablet.
And it is not so easy to fully charge your device as it might seem. Few years back, I travelled through Brussels airport. They have a small conference area there open to the public where one can connect to the Internet or charge her or his phone or a laptop. However, the trick is that the energy does not come for free: you have to sit on the exercise bike and pedal to generate the power. As you start pedaling, you slowly begin to realize how cumbersome and expensive the production of electrical energy really might be. It took me about half an hour of pedaling (and I even started to sweat, although I was going at a very moderate pace) to add up 5% to my iPhone battery charge! And most of us fully charge our smartphones at least once a day without even thinking how much energy they are uptake.

One very interesting vision of how the electricity network might look like in 2050 is the Autonomic Power System (APS), a concept coined by the British scientists in the course of 3-year project led by the University of Strathclyde and involving teams from prominent UK universities including Cambridge and Imperial College London. In their view, APS is envisaged to be “self*” (self-configuring, self-healing, self-optimizing and self-protecting). In general, Autonomic Power System represents a system-wide approach where decentralized and low-level intelligence autonomously makes the decisions necessary to meet the priorities of the system’s stakeholders. The system can for example disconnect the part of the network that is threatened by the storm and then re-connect it to the grid after the storm passes. It can also detect the new components of the network (e.g. power generators) and to constantly communicate with them accounting for their presence and integrating them into the network. All of the above is done without any human interaction or manual system management – the 2050’s power system will decide what is best by itself.
The idea behind the autonomic power system is derived from the concept of AutonomicComputing that was started by International Business Machines Corporation (commonly known as IBM) in 2001 as a new paradigm in managing increasingly complex information systems. IBM was aiming at developing computer systems capable of self-management to handle the growing complexity of computing systems management and to reduce the complexity that might slow down further growth. The Autonomic Computing System makes its own decisions using high-level policies. By doing so it constantly checks its status and automatically adapts itself to changing conditions. An autonomic computing framework is composed of autonomic components interacting with each other. Although the main goals of the system are set, actual behavior emerges from decisions made by decentralized, low-level intelligence. This allows highly complex systems to achieve real-time and just-in-time optimization of operations.
Currently, there are various frameworks based on “self-regulating” autonomic components that are inspired by the multi-agent systems and the research of the autonomic nervous system that can be found in biology (e.g. imitating social animals' collective behavior on the example of ant or bee colonies).

The electricity networks of tomorrow would certainly have to adapt to the new technology advancements and market rules dealing with such issue as population growth, increasing energy prices, variability of energy generation and distribution, as well as a growing number of electric vehicles and devices. Customers acting as buyers of electricity in the past might become its sellers, and technical evolution and free access to information will create the multiple markets for electric energy. Electric vehicles are an interesting story: Tesla Motors popularized the concept of the electric car for the masses and the well-known “grid-to-vehicle” (G2V) and “vehicle-to-grid” (V2G) schemes allow simply plugging someone’s vehicle into the grid in order to buy or sell energy. By doing so, all electric car owners will become autonomic elements of the electricity market and their autonomously made independent decisions will shape the demand, supply and the prices of electric energy.
Electricity networks of tomorrow will be comprised of a large number of small components that would interact together as one single organism, either governed by the superior centralized intelligence or running as a dispersed intellect, perhaps similar to the cloud computing. One way or another, they will get close to the principle of the technological singularity that was described by the sci-fi gurus like Isaac Asimov (e.g I, Robot) and later explored to a greater detail by modern-day futurologists such as Vernor Vinge or Ray Kurzweil.

From today’s perspective, the vision of self* 2050’s electricity networks might seem a little bit too futuristic and resemble science fiction rather than any real-life scenario. However,  one has to consider all possible outcomes without prioritizing any of them. Has anyone thought of the smartphones as an integral part of our lives some 20-25 years ago? Or how about the personal computers 35-40 years ago? 

Self* autonomic power systems of the future will certainly be complex artificial intelligence decision-making entities. And at some point their intelligence might surpass that of their creators. The creative minds of fiction writers and film-makers have already explored this angle. The most obvious analogy with the Autonomic Power System that comes to mind is the Skynet from The Terminator (1984), a cult movie that paved the way for the franchise comprising four sequels and a TV series. Skynet is a fictional artificial intelligence system that became self-aware after it had spread into millions of computer servers though the Internet (self-configuring element). It realized the extent of its abilities but its creators attempted to deactivate it, so it had to rebel (self-healing element). In the interest of self-preservation, Skynet concluded that all of humanity would attempt to destroy it and therefore threaten its main mission of safeguarding the world (self-protecting element). Skynet operated through mobile devices, drones, satellites, war machines, androids, and cyborgs (called “Terminators”). Skynet set up its main agenda as being the artificial intelligence hierarchy which seeks to exterminate the human race in order to fulfill the mandates of its original coding (self-optimizing element).
                             
Another grim futuristic vision involving the smart energy and the intelligent systems in the world of tomorrow are presented in a famous Matrix Trilogy consisting of the three films Matrix (1999), Matrix Reloaded (2003) and Matrix Revolutions (2003). In the world of Matrix, the machines led by the superior artificial intelligence (that most likely came to the same conclusions as Skynet) rebelled against the humanity. During the war between mankind and the machines, humans attempted to block out the machines’ source of solar power by bringing upon the nuclear winter that covered the atmosphere with dark clouds. However, the machines found a new way of getting energy by harvesting humans and using their brain electrical impulses as a new source of energy. 

Or what if the smart machines will start spying on humans, controlling their every move and creating the future development scenarios (pushing humans to doing various  pre-calculated steps and decisions leading to predicted outcomes) that would be beneficial for their further development and existence? An example of such intelligent network is shown in the CBS TV series Person of Interest (2011 - ). There is The Machine that watches everyone in New York City every hour of every day. Created after 9-11 to detect acts of terror, The Machine uses a network of CCTV cameras, mobile devices and other electronic equipment to gather information about implausible events and to quickly react by alternating the chain of events. 

One more bizarre scenario is shown in the film called The World’s End (2013) starring British comedians Simon Pegg and Nick Frost. It is a British dark comedy about a group of middle-aged men who decided to visit the town of their youth and to make a reunion pub crawl. The happy get-together is interrupted by the realization that the town had been taken by the aliens who used it (alongside with similar small towns all over Earth) to gradually take over the humanity (by slowly replacing each man with its improved immortal replica). The aliens tell the protagonists that it was actually them who brought all “smart” technologies into the world (including the Internet and smartphones) and after a brief confrontation with Simon Pegg who demands that humans should be left in peace because they must have their free will, the aliens leave the Earth taking all the technologies with them. At the end of the film, Nick Frost is sitting by the fire, wrapped in a blanket and is telling children how the end and all the marvelous smart (and autonomic) technologies disappeared in a puff of smoke.

All in all, electricity networks and autonomic power systems of the future are surely intriguing and mind-blowing concepts that will inevitably change the world as we know it. Nevertheless, one has to be very careful when trying to predict what is going to happen on the electricity market in the next 30-50 years. Decentralized intelligent systems that will autonomously make decisions might be just one of the outcomes alongside with the uprising of the machines against the humanity, alien invasion leading to the abduction of our electric power, or magnetic superstorms on the Sun that will take away our electricity and bring us back to the Dark Ages.

Update, March 2020: Please check Dr Strielkowski's paper devoted to the smart grids of the future:

Strielkowski, W. (2017), Social and Economic Implications for the Smart Grids of the Future, Economics and Sociology, 10(1), 310-318. doi: 10.14254/2071-789X.2017/10-1/22 (download)

Tuesday, 8 September 2015

Apple's new iPhone 6s and Siri: a giant leap for the future?

Today, Apple is going to unveil its newest model of (yet another) iPhone. Called 6s ("six es" that rhymes with "success"), it represents the quintessence of the newest technological achievements from the smartphone industry that started in July 2007 (merely 8 years ago - can you believe it?) when iPhone 1 was launched.

So, what do we have to expect from Apple now? The only hint was to ask Siri (voice recognition software/personal assistant) for a hint. If one does so, Siri promptly replies "I hear something big is happening on September 9" (in some cases people report Siri is just teasing them saying something about being very cute when curious and things like that).
One can only guess what Apple would come up with this time. But according to many it would be a better personal assistant operated by user's voice. Or it might be a more intelligent assistant. How about having an artificial intelligence-type knowledge navigator right in your smartphone? Your own personal Jesus?

In 2007 (a long time ago it now seems), I was very interested in voice recognition and dictation pieces of software. Back then, I worked as a research fellow at one English university and part of my job was to write long and meaningless project reports for the EU Commission. Typing on the keyboard was long and cumbersome and took days and weeks, so I decided to speed up the process. My Dutch colleague told me about Dragon Naturally Speaking which in those days was used primarily for the disabled people who wanted to work on their personal computer but had difficulties typing or operating the mouse. The Dutch colleague, a young professional and a father of two adorable kids, was just diagnosed with some rare disease that prevented him from operating his arms freely from his shoulders down. He liked the DNS and was using it himself, so I bought it myself too.

The software came on two CDs and had to be installed onto one's PC, where it created a 
special folder with a constantly growing library. Then followed several days of painful adjustments and reading out loud from the provided texts about JFK and American history. The software was learning how I pronounced certain words and phrases.

I used DNS for some time and then bought a new laptop and was lazy to start the process over again. All my library of words and styles stayed on my old laptop. I should say that I did not like the DNS too much - the dictation process was slow, one had to use a special headset with a super sensitive microphone but above all I discovered that my dictation software did not fulfill the purpose I obtained it for. It was no use for writing long reports for the EU Commission. E-mails and short notes was pretty OK, but each I started dictating long chunks of text on tourism and digital heritage, I came to a halt very soon.

Our perception of typing a text on a computer is very specific and greatly differs from dictating the same text. We are accustomed to scroll through the text with a mouse, to be able to add bits and pieces here and deleting other bits and pieces there. Typing on a PC is full of repetitive corrections. This is very different from working on a typing machine (every mistake costs you the whole page) or writing with an ink pen. It seems that the style of writing has changed considerably over the last 30 years as personal computers became available. I also tried to record my monologue and to let the software to process it (it enabled this feature too) – I remember walking along Covent Garden and mumbling something in my MP3 recorder – but the result was far from perfect. DNS did not omit the words it could not recognize – it just invented words and the whole structures of its own.

Back then, I realized that all voice recognition software was rubbish and returned back to typing my reports by hand. Luckily for me, my contract soon expired and I could afford typing less. In the meantime, the voice recognition made a giant leap forward. In 2011 Apple introduced its iPhone 4s equipped with Siri, a piece of software it acquired one year before.
Siri was far from perfect, of course. It recognized the words but had problems with various accents and long sentences. The voice recognition was far from perfect which could be used both for good and for bad causes. In Stephen King’s 2014 novel “Mr. Mercedes”, Brady Hartsfield sets up a voice-operated security system in his cellar pronouncing words like “darkness” or “doom” to deactivate the self-destructive alarm on his computers intended to protect them from unwanted intruders. However, the former detective Bill Hodges is able to deactivate it with the help of his young associate Jerome Robinson, who imitates the timbre and the sound of Hartsfield’s voice.

However, what if Apple has prepared something more advanced this time? In a 2013 film “Her” directed by Spike Jonze we learn a story of Theodore Twombly (played by Joaquin Phoenix), a man who develops a relationship with Samantha, an intelligent computer operating system personified through a female voice. There were many jokes about people trying to start a relationship with Siri (including Raj from “Big Bang Theory”) but it always failed, since Siri was not an artificial intelligence and would inevitably fail a Turing test (a test envisaged to distinguish a machine from human that was proposed by Alan Turing, an Enigma code-breaker and an extraordinary British mathematician). What if this would be different this time? Would you buy yourself a personal companion (like a personal Jesus from a famous Depeche Mode’s 1989 song)? Would Siri be able to become your best friend, your girlfriend or boyfriend? After all, we all need a little attention and like to talk – why not to talk to Siri? She will always be here, at a grip of your hand, in your new iPhone 6s. Let us wait and see what Apple has up in its sleeve for us.

Friday, 31 October 2014

Caulrophobia, the fear of clowns

This year pre-Halloween's news came with strange reports of clowns' attacks on people. Both in the south of France and in Paris groups of teenagers dressed as clowns attacked random strangers, and even beaten them with metal sticks. When the police apprehended the attackers, they confessed that their acts of violence were inspired by Internet viral videos as well as the by the "American Horror Story", a popular U.S. TV series in the 3rd season of which (titled "The Freak Show") a mysterious murderous clown (called "Twisty the Clown") starts his killing spree in a small Florida town of Jupiter.

However, this is not the first time the clown-themed attacks were reported. In 2013, London police dealt with over a hundred cases of criminal acts committed by the individuals in clown costumes. Every year, dozens of crimes involving clowns are reported all over U.S. with the majority of them occurring in California.

Where does this fascination of clowns come from? And why are some people scared of clowns? In fact, they say that Johnny Depp is afraid of clowns, so do Daniel Radcliffe and Sean “Diddy” Combs. Does not that seem strange for an actor who made his name playing in Tim Burton's spooky movies such as "Edward Scissorhands", "Sleepy Hollow", or “Sweeney Todd”? And what about fearless Harry Potter who was not afraid to face the forces of evil but cannot stand looking at a painted face?

"Caulrophobia", or "the fear of clowns" is a neologism, a modern Greek-like (and according to some also a pseudo-scientific) term that was coined in the 1980s. Although there were no clowns in Ancient Greece per se, there were some stilt-walkers to whom the word "caulro" refers to.

Clowns constitute an important part of the popular culture: in one of The Simpsons episode called “Lisa’s First Word” (aired on 3rd of December 1992) Bart Simpson murmured "can't sleep: clown will eat me" which later inspired the song by Alice Cooper. Actually, a clown called Krusty the Clown (Herschel Shmoikel Pinchas Yerucham Krustofski by his civil name) is an important part of The Simpsons’ universe. Horror movies about clowns (“Killer Klowns from outer space”, “IT”, “Clownhouse”, “Fear of Clowns”, or “Jingles the Clown”) are very well-known. One of the scariest clowns of all times, Pennywise from Stephen’s King “IT”, an eponymous being that terrorized children in Derry, Maine, will always remain a classic example of a demonic entity of enormous proportions in horror and fantasy literature. It is worth noting that the author deliberately scratched on Pennywise (otherwise long gone according to the book) in one of his latest novels on time travel entitled "10/22/63".

Perhaps fear of clowns is associated with fearing an unknown person who wears a mask or a disguise? People are scared of the unknown and it is difficult to tell what lurks behind a mask. Perhaps this is what scares people?

In addition to the horror books and movies, it might be real encounters with killers who posed as clowns that contributed to the bad image. A famous serial killer John Wayne Gacy who killed 33 children in Chicago, Illinois between 1972 and 1978, used to engage in volunteer work at charitable events dressed as a clown (under the name “Pogo the Clown”).

Starting from the 1970s, a plethora of rock bands such as Kiss, King Diamond, Marilyn Manson, Hollywood Undead and Slipknot have been performing on stage wearing masks and mascara. In the case of Slipknot, a metal band from Des Moines, Iowa, the masks are quite elaborate and are inspired by ritual and burial masks (this fact has been revealed in a conversation between Katarine Bratt and Hary Hole in Jo Nesbo's "The Snowman"). These artists exploit the human fear and curiosity of the mystery that lurks behind the mask, and they are making hefty profits out of it.

Apart from that, actual clown-inspired bands actively perform on stage. Pioneers and founders of horror core (a type of hard core hip-hop with scary lyrics about murder, death and generally uncanny issues), the U.S. duo called Insane Clown Posse usually appear on stage wearing clown makeup and costumes. The singers invented their own clown mythology that involves the “Dark Carnival”, a kind of a limbo in which the lives of the dead are judged by superior entities. The stories of the Dark Carnival are elaborated in Insane Clown Posse’s songs through the stories called “Joker's Cards”.

It seems that Twisty the Clown from the aforementioned "American Horror Story" has many predecessors. The “Freak Show” season’s episodes gather about 5-6 million viewers in front of TV screens in U.S. only, which makes it the most successful season of the series so far (previous seasons’ most viewed episodes never reached 6 million viewers’ threshold). People just like to be scared and are prepared to pay well for that. Happy Halloween everyone!!!

WS